Ethereal Scores of Our Fleeting Lives, a music review
A couple of weeks ago, over ten years since my original purchase, Alexa decided to tempt me with her algorithmic peer pressure. She played the track “The Slow Descent Has Begun.” There was something familiar about this haunting darkness. Listening to the violins wail in search for some resolution only to leave me feeling desolate with a heaviness, a pit on my chest, was eerily familiar. Had I been here before? I asked her who was the artist. “A Winged Victory for the Sullen” she replied in her classic warm robotic tone.
I normally don’t purchase music. I am more-or-less satisfied streaming the cornucopia of melodies endlessly being spewed out of my echo device. Every now and then I stumble onto an artist that speaks to the fibers of my being, and so I open my pocket book and reward them for their valiant musical efforts. In 2022 that artist was Sun-El Musician. That year his African Electro Soul beats filled my spirit to the brim as I kept all three of his albums on heavy rotation. This year I found myself on the flip side of the coin. I traded the warm African chorus of “Ubomi Abumanga” for the contemplative tip-toeing piano of “So That The City Can Begin to Exist.” The undulating chords of “Atomos VII” don’t shy away from telling you there is something out there inside the cosmos of the cells that compose your heart; a stark contrast from the jovial plea for communion that is “Best Friend.”